Images on which to build, 1970s-1990s, Curatorial essay, 2022
Documentary by Every Means Necessary: Stanley Wolukau-Wanambwa’s Dark Mirrors, Art in America, 2022
Dark Room: Handling Queer Photographs, commissioned essay for the occasion of Phyllis Christopher's exhibition, Contacts, 2022
We Stopped Taking Photos with Yazan Khalili, e-flux Journal #115, 2021
150/151, What’s at Stake, What’s Missing?, Camera Austria, 2020
Hide and Seek: Adam Liam Rose’s Recent Works on Paper, Jewish Currents, Fall 2020
Remembrances: Maurice Berger, Jewish Currents, 2020
Buffering the Lens, Leslie Lohman Museum of Art, 2020
Rebel Rebel: Ariel Goldberg on Donna Gottschalk, Artforum, 2019
Destruction and Transformation: Vernacular Photography and the Built Environment, Artforum, 2019
Exhibiting Resistance: Show Me as I want to be Seen, Art in America, 2019
At Variance with Accepted Practice: Antiracist Pedagogies within the Jewish History Museum, 2019
Seeking Permission: On the Photographic Practices of Robert Girard & (JEB) Joan E. Biren, Afterimage, 2018
Eye in the Sky, Ariel Goldberg on Berenice Abbott: A Life in Photography at the NYPL, Artforum, 2018
The Plasticity of Care: On Park McArthur’s Installation Art, Art in America, 2018
Welcome Intervention: Two Recent Events in the Visually Speaking Series, Art in America, 2018
In the Room: Forums on Contemporary Photography at MoMA, Art in America, 2018
Incomplete Messengers, or Notes on Heavy Equipment, e-flux Journal #94, 2018
Picture Industry, review of Walead Beshty’s exhibition at the Hessel Museum, Art in America, 2017
Trusting the Camera: Black Queer Brooklyn on Film, Brooklyn Museum, Art in America, 2017
Simplicity Craving, e-flux Journal #75 2016